"What interests me in the archetype of the cat [...] it is his amazement of stupor, his eyes, his absence of a smile which have been there since eternity, of the Egyptian cat to the one that caresses on his knees." A. Séchas
[...] This sculpture is placed in parallel with the river; On the road and rail, a real indicator of the flows, and the arrows on the asphalt also seem to indicate the meaning of its movement. If this cat is part of a before or after the scene on the neighboring ticket column, it is also available for other narrative connections linked to the vagaries of traffic. He carries the memory of the statuary, it is she who gives him his posture, but his gaze is turned towards the present and it is not accomplished as a work as in the passage of a train.